Dec 01 2011
1 note

Quote

… in reality, the likelihood of reaching the pinnacle of capitalist society today is only marginally better than were the chances of being accepted into the French nobility four centuries ago, though at least an aristocratic age was franker, and therefore kinder, about the odds. It did not relentlessly play up the possibilities open to all those with a take on the future of the potato crisp, and so, in turn, did not cruelly equate an ordinary life with a failed one.

Our era is perverse in passing off an exception as a rule.

Alain de Botton: The Pleasures and Sorrows of Work (via)

Oct 19 2011
11 notes

Video

Spike Jonze presents Mourir Auprès de Toi: a stop-motion film set inside the Paris bookstore Shakespeare and Company (and a volume of Moby Dick.) —via openculture


Oct 06 2011
10 notes

Photo

“Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class. I learned about serif and sans-serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac… You can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.”  (Steve Jobs)

“Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class. I learned about serif and sans-serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating.

None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac…

You can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.”  (Steve Jobs)


Sep 30 2011
21 notes

Photo

(Source: thisrecording)


Aug 01 2011

Audio

[Flash 9 is required to listen to audio.]

chris whitley : serve you

1 play

Jul 16 2011
341 notes

Quote

The next real literary ‘rebels’ in this country might well emerge as some weird bunch of anti-rebels, born oglers who dare somehow to back away from ironic watching, who have the childish gall actually to endorse and instantiate single-entendre principles. Who treat of plain old untrendy human troubles and emotions in U.S. life with reverence and conviction. Who eschew self-consciousness and hip fatigue… Real rebels, as far as I can see, risk disapproval.
David Foster Wallace (libraryland)

May 01 2011

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[harvard square may fair, 2011]

[harvard square may fair, 2011]


Apr 28 2011

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[ireland: june 2002] “In 1929 the British Broad­casting Corporation decided to start broadcasting “live silence” in memory of the dead instead of just halting transmission for two minutes every day; it was important, it was felt, to hear the rustle of papers, the singing of the birds outside, an occasional cough. As a BBC spokesman put it, with rare wisdom, silence is “a solvent which destroys personality and gives us leave to be great and universal.” It permits us, in short, to be who we are and could be if only we had the openness and trust. A chapel is where we hear something and nothing, ourselves and everyone else, a silence that is not the absence of noise, but the presence of something much deeper: the depth beneath our thoughts.” (Utne)

[ireland: june 2002]

“In 1929 the British Broad­casting Corporation decided to start broadcasting “live silence” in memory of the dead instead of just halting transmission for two minutes every day; it was important, it was felt, to hear the rustle of papers, the singing of the birds outside, an occasional cough. As a BBC spokesman put it, with rare wisdom, silence is “a solvent which destroys personality and gives us leave to be great and universal.” It permits us, in short, to be who we are and could be if only we had the openness and trust. A chapel is where we hear something and nothing, ourselves and everyone else, a silence that is not the absence of noise, but the presence of something much deeper: the depth beneath our thoughts.” (Utne)


Jan 12 2011

Photo

new site, for a daily photo

new site, for a daily photo


Dec 27 2010
5 notes

Photo

[saratoga springs: dec 2010]

[saratoga springs: dec 2010]


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