There is much humour in Ozu’s films, but they are most profoundly marked by an atmosphere of bitter-sweet melancholy … life, inevitably, is full of loss and disappointments, but there is beauty even in sadness. Japanese have an aesthetic expression for this: mono no aware, the tears we shed over the transience of things. It is hard to translate precisely into English, and is frequently cited as a kind of definition of Japanese culture, but it is something all of us can feel.